Associate Professor of Northern Renaissance and Baroque Art and Graduate Director in Art History
Art History

Ashley D. West, PhD

Ashley West is an art historian of the early modern period, 1400-1700, with a particular expertise in the history, practice and theory of printmaking and with interests in imagery produced around different kinds of cross-cultural encounters between Europe and the Ottoman Empire, the “New World,” Africa and the East Indies. She studies processes of cultural transmission and the dissemination of knowledge in the early modern period, as well as opportunities for artistic exchange through travel and portable objects, pilgrimages, diplomacy, warfare, global trade and exploration and early collecting practices. 

In her teaching she regularly incorporates on-site learning opportunities in the Print Study Room of the Philadelphia Museum of Art, the Mütter Museum, the Wagner Free Institute of Science and Temple’s Special Collections of rare books.

West has been a fellow with the international research project on “BildEvidenz. History and Aesthetics” at the Kunsthistorisches Institut at the Freie Universität in Berlin and her work has been supported also by the Center for Advanced Study in the Visual Arts (CASVA) and the Andrew Mellon Foundation, among others. She is is currently working on early modern theories of representation and on the visual culture and technologies of sixteenth-century Augsburg as a site for negotiating the global and the local in everyday experience.

She has published on early etchings; woodcuts of late medieval relic collections; notions of visual history and the German sense of the past; early modern antiquarianism and early representations of peoples from the coast of Africa and India. Her forthcoming book, Hans Burgkmair and the Visual Translation of Knowledge in the German Renaissance, reevaluates notions of the German Renaissance through the prints, drawings and paintings of Hans Burgkmair the Elder, a contemporary of Albrecht Dürer. 

PhD, Art History, University of Pennsylvania, 2006
MA, Art History, Williams College Graduate Program in the History of Art, 1997
BA, Humanities, Yale University, 1993

Selected Work
West, A. D. (forthcoming). Hans Burgkmair and the Visual Translation of Knowledge in the German
     Renaissance
. London; Turnhout: Harvey Miller / Brepols.

West, A. D. (2018). Hans Burgkmair and Conrad Peutinger: Reevaluating the Artist-Humanist 
     Relationship. In W. Augustyn, & M. Teget-Welz (Eds.), Hans Burgkmair—Neue Forschungen, Vol. 44
     (pp. 45-67). Passau, DE: Dietmar Klinger Verlag.

West, A. D., Cashion, D., & Luttikhuizen, H. (Eds.). (2017). The Primacy of the Image in Northern
     European Art, 1400-1700
. Leiden: Brill Press.

West, A. D. (2017). Preserving Destruction: Albrecht Altdorfer’s Etchings of the Regensburg Synagogue
     as Material Performances of the Past and Future. In A. D. West, D. Cashion, & H. Luttikhuizen (Eds.),
     The Primacy of the Image in Northern EuropeanArt, 1400-1700 (pp. 284-300). Leiden: Brill Press.
 
West, A. D. (2013). Albrecht Dürer, Hans Burgkmair and the Practice of Early Etching. Print Quarterly,
     30
(4), 379-395.
 
West, A. D. (2010). Between Artistry and Documentation: A Passage to India and the Problem of
     Representing New Global Encounters. In L. Pericolo, & A. Nagel (Eds.), Subject as Aporia in Early
     Modern Art
(pp. 87-114). Aldershot: Ashgate Publishing Limited.