Anamaya Farthing-Kohl, 1988 in La Paz, Bolivia, works with installation, often residing in the public sphere. Her work comes from a place of admiration, mostly of mundane objects that have a large public presence, but that often go unnoticed. Her work comes from a place of admiration, mostly of mundane objects that have a large public presence, but that often go unnoticed. Through making and installing her versions, Anamaya investigates how the object functions as a container. She sees every banal object as a place, a container; a physical space encompassed by the a priori and a posteriori knowledge of the public.