The artist, educator and advocate for indigenous communities will lecture, show his work and be inducted into Temple’s Gallery of Success on October 17-18.
Edgar Heap of Birds—Cheyenne-Arapaho artist, educator, advocate for indigenous communities and distinguished alumnus of Temple University’s Tyler School of Art and Architecture—is returning to Tyler for a public lecture, an exhibition of his work and his induction into Temple’s Gallery of Success on October 17-18, 2018.
The celebration of Edgar Heap of Birds, MFA ‘79, begins on Wednesday, October 17, with a free public lecture, “Influences, Mentors, Colleagues and Our Homage to This Earth,” at Temple Contemporary, Tyler’s exhibitions and public programs space (6 p.m., 2001 N. 13th St., Philadelphia). The lecture is part of the Critical Dialogue series, a long-standing core component of Tyler’s MFA program in Painting, Drawing and Sculpture. Temple Contemporary will display his powerful work, “Not Your Coyote Stories” (above, in background) until December 8.
On October 18, Heap of Birds will be honored in a private Gallery of Success ceremony in historic Mitten Hall at Temple’s Main Campus. Now in its 21st year, the Gallery of Success is Temple’s annual celebration of the outstanding professional achievements of its alumni. Each year, one alumnus from each of Temple’s 17 schools and colleges is honored. Their portraits and biographies are put on display in Mitten Hall, where they serve as an inspiration to current students.
“We are thrilled to honor Edgar Heap of Birds,” said Susan E. Cahn, dean of the Tyler School of Art and Architecture. “The Tyler community is proud of his long record of artistic achievement, his willingness to tackle society’s most vexing challenges and his tireless commitment to improving the lives of indigenous peoples and the health of the planet. Edgar represents the best of the Tyler spirit.”
Heap of Birds is a multi-media artist whose works range from drawings and paintings to monumental outdoor sculpture. Best known for his use of the written language, his pieces often incorporate short, sharp, painted messages. He “wields words like weapons,” wrote Art in America in a 2017 cover story about his life and his work. “The pithy phrases he scrawls on paintings and monoprints are searing indictments, calling out state violence against indigenous people.”
In 2007, the Smithsonian Institution’s National Museum of the American Indian invited Heap of Birds to participate in the Venice Biennale. His “Most Serene Republics” project included installations throughout Venice honoring the warriors who were coerced into performing in Buffalo Bill’s Wild West show, particularly those who died while the show toured Europe. Heap of Birds’ work also has been exhibited at the Museum of Modern Art, Whitney Museum of American Art, the National Museum of the American Indian, the National Gallery of Canada, the Metropolitan Museum of Art, Museum of Contemporary Art Australia and documenta in Kassel, Germany. He has received grants and awards from the National Endowment for the Arts, the Rockefeller Foundation, the Louis Comfort Tiffany Foundation, the Wallace Foundation, the Bonfils-Stanton Foundation and the Pew Charitable Trusts. He was named a USA Ford Fellow in 2012. Currently professor emeritus in the Department of Native American Studies at the University of Oklahoma, Heap of Birds also has taught as a visiting professor at Yale University, the Rhode Island School of Design and the Michaelis School of Fine Art in South Africa. Before attending the Tyler School of Art and Architecture, he earned a BFA degree from the University of Kansas in 1976 and attended the Royal College of Art in London.
Text: Hillel J. Hoffmann
Photo: Ted West
October 8, 2018