Printmaking

    March 17, 2022

    Amze Emmons Presents on Print and NFTs at SGC International Conference

    Author: Wanda Motley Odom

    Associate Professor and Program Head Amze Emmons has always viewed printmaking as a formative factor in human culture. “Printmaking is really an umbrella term that refers to a range of technologies that trace back to Paleolithic man using stencils on cave walls, that show up repeatedly in across multiple cultures around the world and that have value in disseminating ideas,” Amze said in a recent interview on the podcast Our Shared Field. Read More

    February 4, 2021

    New Exhibitions at Ross Art Museum Feature Two Tyler Faculty

    Author: Zachary Vickers

    Two Tyler School of Art and Architecture program heads will be featured in exhibitions (through April 8, 2021) at the recently reopened Ross Art Museum in Delaware, Ohio that celebrate urban and rural spaces: Pattern Drift: Cityscape The Kuhlman Gallery features Pattern Drift: Cityscape, a mid-career survey of art by Philadelphia-based printmaker Amze Emmons, Tyler's associate professor and program head of Printmaking. It presents selections from three main bodies of work in which the city serves as background and context for the art. Emmons’ images show his virtuosity as a printmaker and draftsman, as well as inspiration by mechanical illustration, cartoon language and newspaper journalism. Read More

    October 7, 2019

    Amze Emmons: Pattern Drift Exhibition: August 2–October 2, 2019

    Author: Zachary Vickers

    Amze Emmons, associate professor and program head of Printmaking at the Tyler School of Art and Architecture, recently had a mid-career, solo exhibition entitled Amze Emmons: Pattern Drift at the Academy Art Museum in Easton, Maryland from August 2 to October 2, 2019. The exhibition featured a 15-year survey of Emmons’s printed work, selected drawings and artistic exploration.  “For the past several years I have actively noticed certain kinds of visual phenomena such as portable and ephemeral building structures, improvised street furniture, and informal sites of exchange that tell a story of local agency, adaptation, and community," said Emmons. "When I travel in other cities around the US and abroad, I inevitably discover parallel phenomena.” Read More

    October 4, 2019

    Piotr Szyhalski brings his protest performance to Tyler

    Author: Zachary Vickers

    Multimedia artist Piotr Szyhalski, with the help of Tyler School of Art and Architecture faculty and students, performed his monumental, socially-driven THEM in North Philadelphia on Wednesday, October 2, 2019.  Students and faculty carry Piotr Szyhalski's 450-foot long THEM banner around the block of the Tyler School of Art and Architecture.    On October 2, 2019, faculty and students from the Tyler School of Art and Architecture paraded a three-foot high, 450-foot long banner around the building, engaging Temple’s campus and stunning community members with a performance of artist Piotr Szyhalski’s THEM, in partnership with Tyler’s Printmaking Program and Temple Contemporary—the visionary center for Tyler’s exhibitions and public programs. Read More

    February 21, 2018

    2018 MFA Exhibitions

    Author: Zachary Vickers

    The Department of Exhibitions and Public Programs of the Tyler School of Art and Architecture is pleased to host solo thesis exhibitions for 32 of Tyler's MFA Candidates. The exhibitions will take place February 21 – April 21 with a new show opening each Wednesday. A free reception will be held every Friday, 6 – 8 p.m. Come enjoy refreshments and speak with the artists themselves!   Click names below for more information.   February 21 – 24 Opening February 23, 6 – 8 p.m. Images left to right Graduate Arts Community Group Show Shwarga Bhattacharjee Elmi L. Ventura Mata Read More

    November 27, 2017

    Fibers Tech and Printmaking Alumni Amy Cousins solo show at Illinois State University

    Author: Anonymous

    You Will Never Have the Comfort of Our Silence Again August 18 – October 8, 2017 Amy Cousins’ large-scale sculptures and installations are based on her research into rare protest ephemera, out-of-print feminist newspapers, and first-person accounts of radical queer histories. From the Lesbian Feminist Declaration of 1976 to the Gay Liberation Dances that emerged across the U.S. in the 1970s, Cousins reimagines these remarkable yet poorly documented events and reveals captivating examples of inventiveness in queer protest. Her sculptural reinterpretations are produced with a range of processes and materials: wall hung appliqué textile figures, text made from shag fabric, a ten-foot-tall papier-mâché puppet, and an off-kilter tufted patent leather vinyl vitrine—complete with kinky lavender fur—to name a few. Read more here... Read More

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