February 23, 2022
Author: Jane DeRose Evans
Dr. Alvarez will present, "Immigrant Artists' Groups in Sao Paulo, 1930-1950", March 10 at the Midwest Art History Society (MAHS) Annual Conference in Houston, TX.
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February 22, 2022
Author: Jane DeRose Evans
Sadie Red Wing (sadieredwing.com) is a Lakota graphic designer and advocate from the Spirit Lake Nation of Fort Totten, North Dakota. Red Wing earned her BFA in New Media Arts and Interactive Design at the Institute of American Indian Arts. She received her Master of Graphic Design from North Carolina State University. Her research on cultural revitalization through design tools and strategies created a new demand for tribal competence in graphic design research. Red Wing urges Native American graphic designers to express visual sovereignty in their design work, as well as encourages academia to include an Indigenous perspective in the design curriculum. Currently, Red Wing serves as an Assistant Professor at OCAD University (Toronto, ONT).
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February 22, 2022
Author: Jane DeRose Evans
Dr. Patel will be zooming for the seminar, "Queer Chinese Feminist Archipelago: Shanghai, Miami and San Francisco", March 31 7:30 PM (Hong Kong time).
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February 18, 2022
Author: Jane DeRose Evans
Emily's paper, "Coral and Colonial Inheritances in Andrea Chung's Only to meet nothing that wants you" will be presented April 2, 2022 at the Yale University American Art Graduate Symposium.
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February 18, 2022
Author: Emily Herbein
The Collegial Assembly at Tyler School of Art and Architecture recently adopted use of an Indigenous Land Acknowledgment, developed by a faculty committee spearheaded by Art History Chair Jane DeRose Evans, to recognize the history of the native peoples who originally lived on the lands where the school sits.
In practice, the Land Acknowledgment can be voluntarily used before public events held on campus to encourage both event planners and visitors to think deeper about the work that is done both in and out of the classroom and how it is connected to the land that we inhabit.
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February 18, 2022
Author: Jane DeRose Evans
Dr. Patel's speaking engagements and publications in the fall of 2021 highlight his research:
KINSEY INSTITUTE, FORSCHUNGSSTELLE KULTURGESCHICHTE DER SEXUALITÄT, WEAM - WILZIG EROTIC ART MUSEUM, December 2021. Moderator for panel, part of the online conference, “Exhibitionism – Sexuality at the Museum International”
WOPHA: WOMEN, PHOTOGRAPHY, AND FEMINISMS CONGRESS, Miami, Florida, November 2021. Conversation with Carlotta Boettcher: “Productive Failure and Queer Photography”
FULBRIGHT PRISM, September 2021. Panelist for “Art and Queer Community” for Fulbright Prism’s organization’s first online virtual conference (invited)
Co-organizer with Jane Chin Davidson, “Okwui Enwezor: Art of Curating” panel with Przemsyław Strozek, ZACHĘTA ¬ NATIONAL GALLERY OF ART, WARSAW, POLAND, September 24, 2021
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February 18, 2022
Author: Jane DeRose Evans
Nicole Emser Marcel (PhD Student) will participate in "Under-Mapped Spaces: New Methods and Tools for Critical Storytelling," with a project entitled "Whose Golden Age?: Correcting the Imagined Cartographies of the Pan-Am Flying Clipper Ships." The five-day intensive interdisciplinary workshop tests the utility of digital tools in the creation of compelling, accessible narratives of “under-mapped” places and is co-hosted by Stanford University, the David Rumsey Map Center and Stanford Geospatial Center, and Branner Earth Sciences Library and Map Collections.
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February 17, 2022
Author: Jane DeRose Evans
Dr. Cooper's remarks are quoted in the story, "Venice's great women artists step into the limelight through major restoration project", an initiative undertaken by Save Venice. Dr. Cooper is an active board member of the organization. You can see the entire article here:
https://www.theartnewspaper.com/2022/02/15/save-venice-women-artists-res...
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February 17, 2022
Author: Emily Herbein
Fine Arts Management Professor Linda Earle recently spoke with Temple Now about the consequential impact that philanthropy and artists have had on building equitable creative spaces. Earle, also associate graduate director for arts management track of the master's program in Tyler's Art History Department, discusses the need for change on an institutional level, and looks at large-scale "tentpole organizations," like the Philadelphia Museum of Art and the Metropolitan Museum of Art, and how they plan to address and further implement diversity plans. She also addresses the recent change in how donors and art funders look at where to give and consider the need to look at "the whole field" rather than just the big-name artists and institutions.
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February 10, 2022
Author: Jane DeRose Evans
You can listen to/hear Dr.
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