January 19, 2024
Author: Jane DeRose Evans
Maria's chapter, “Decolonizing La Revolución: Cuban Artistic Practice in a Liminal Space” can be found in The Routledge Companion to Decolonizing Art History, edited by Tatiana Flores, Florencia San Martín, and Charlene Villaseñor Black (2024). Check it out here!
https://www.routledge.com/The-Routledge-Companion-to-Decolonizing-Art-Hi...
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January 15, 2024
Author: Jane DeRose Evans
The Carlsberg Foundation has granted Alice M. Rudy Price (PhD 2014, Adj, Asst. Prof.) funding for six months of research in Denmark from May to December 2025. This funding will support catalogue research for a 2026–2027 art exhibition, "Aging Bodies, Mature Careers," hosted by Ribe Kunstmuseum and Skovgaard Museet in Denmark.
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December 12, 2023
Author: Jane DeRose Evans
Luke's article, "The Spanish Imposition of the Grid-Pattern Town upon its Mesoamerican Colonies and How it Disrupted Native Space, Analyzed Through the Maps of the “Relaciones Geográficas”" was published in asterisk*: yale undergraduate journal of art & art history issue 7 fall 2023. Find it here: https://www.asteriskjournal.org/fall-2023
Congratulations to Luke for his original work!
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December 12, 2023
Author: Jane DeRose Evans
Students in the upper-level Art History class, the Global Middle Ages, taught by Dr. Joseph Kopta have produced an impressive story about the period between 1000 to 1400, across the globe. Check it out here: https://storymaps.com/stories/865221256e654f1798f03cb2fcdae5de
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December 7, 2023
Author: Jane DeRose Evans
Jackie moderated a conversation concerning the interpretation of L'Enfant's plan for Washington, DC with Elise Friedland (Classics, GWU) and the artist Peter Waddell, who paints scenes of American history. A recording of the conversation can be found at https://vimeo.com/878754870
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November 30, 2023
Author: Jane DeRose Evans
Emma will present at the CIHA (Comité International d'Histoire de l'Art) 2024 conference which is taking place in Lyon, France from June 23-28, 2024. Her paper "Between North and. South: A New Reading of Andrea Mantegna's Distemper and Monochromatic Paintings" was accepted into a panel entitled "Painting the Materials, Imitating the Techniques: A Dialogue Between Mediums in Early Modern Art" .
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