November 6, 2023
Author: Alina Ladyzhensky
Tyler Art History graduate student Hatice Köroglu Çam’s research is at the center of a recent Insider article about ongoing disagreement over the attribution of a 16th century marble statue of the Greek god Pan. Çam, a first-year PhD student whose work focuses on Italian Renaissance art, argues that the statue was created by one of the most renowned artists of the Western canon: Michelangelo.
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November 1, 2023
Author: Jane DeRose Evans
Emma P. Holter, a second-year PhD student and University Fellow, will attend a masterclass in Venetian drawings in the Prints Department at the Courtauld Gallery in London this November. The masterclass will be offered by renowned expert Dr. Catherine Whistler (Ashmolean Museum) in conjunction with the Courtauld Gallery's current exhibition "La Serennissima: Drawing in 18th-century Venice" https://courtauld.ac.uk/whats-on/la-serenissima-drawing-in-18th-century-...
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October 31, 2023
Author: Wanda Motley Odom
This is the third of four articles about Tyler's Spring 2023 CARAS grant winners.In senior Sofia Angelini’s haunting and intensely red deer painting Crucifixion, a wide-eyed fawn stares backward seemingly bewildered, its head turned away from a wainscoted wall where the preserved head of an eight-point stag hangs mounted as a trophy.
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October 13, 2023
Author: Wanda Motley Odom
This is the second of four articles about Tyler's Spring 2023 CARAS grant awardees.Horticulture major Trinity Flores (BS Hort ’24) developed a love for nature as a young student attending Waldorf schools, an academically rigorous education program where the focus on experiential learning often took her outdoors.“I learned to milk cows when I was in third grade,” Flores, a Pottstown native, said.
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October 11, 2023
Author: Jane DeRose Evans
Jessica Braum delivered her paper "Plurilocal Subjectivity: Kim Lim’s Transnational Praxis and Cosmopolitan Imagination" on Saturday, September 30, as part of the "Conceptualizing Trans-Asia" double panel co-organized by Alpesh Patel and Jane Chin Davidson for the annual conference of the international organization Association for the Study of the Arts of the Present (ASAP).
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October 10, 2023
Author: Jane DeRose Evans
Megan presented the paper "Rupturing 'White Time' in the Museum: When Contemporary Artists Invoke Ancestors to Repair Colonial Ontologies" at ASAP 14 in Seattle. The conference theme - Arts of Fugitivity - addressed strategies of survival and imagination as concepts, practices, and methods in contemporary art and culture.
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October 5, 2023
Author: Jane DeRose Evans
We have a terrific group of scholars presenting at the annual SECAC conference this month:Gillian Yee (PhD student): “Life, Death, and Everything in Between: Peter Hujar’s Capuchin Catacomb Portraits” (also session chair)Brittany Rubin (PhD student): “’All the Tricks of Aretin[o]’: The Affective Lives of Samuel Pepys’ Reproductive Portrait Collection”Joseph Kopta (Asst. Prof. of Instruction): “The Trebizond Alexander Romance and Representations of Kingship” Noah Randolph (PhD candidate): “Atop the Pedestal: Paula Wilson’s ‘Living Monument’”Ali Printz (PhD candidate): “Upending the Plantationocene: The Coal Sculptures of Charles Edgar Patience”
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September 14, 2023
Author: Jane DeRose Evans
Emma P. Holter, a University Fellow and second-year PhD Art History student, will deliver a paper "Color Wars: Woad, Indigo, and the Emergence of Venetian Blue Paper" at the 2023 SECAC conference taking place in Richmond, Virginia. Her paper, part of the panel "Methodology and Pedagogy: The Art of Renaissance and Early Modern Italy," examines the advent of blue drawing paper in fifteenth-century Venice through an eco-critical lens, and explores the material's entanglement with the local textile dyeing industry and the importation of foreign dyestuffs.
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