April 13, 2018
Author: Jane DeRose Evans
Natalia, who is currently enrolled in Dr. Thomas's "Collections & Strategies of Display" seminar (spr 18), has accepted an internship at the University of Pennsylvania Museum Archives and will be working with Alex Pezzati, the head of the Archives, for eight weeks over the summer.
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April 12, 2018
Author: Gracie A. Laychock
PROGRAM DESCRIPTION
Thorough hands-training, this certificate introduces students to a variety of horticulture therapy skills. The program meets horticultural therapy requirements by the American Horticultural Therapy Association (AHTA) for becoming a Registered Horticultural Therapist.
Students complete projects to develop skills in HT programming, activities, grant writing, budgeting, marketing, research, and interdisciplinary approaches to health care.
A key component is learning to design therapeutic indoor and outdoor spaces that address universal design and support. Instruction and business planning for private HT contractual work is also examined. Horticultural therapy uses plants, horticultural activities, and the natural world to improve people's social, educational, psychological, and physical adjustment, thus improving their bodies, minds, and spirits.
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April 11, 2018
Author: Jane DeRose Evans
Bradley Cavallo (PhD 2017) recently presented research at the 2018 Midwestern Art History Society in Indianapolis. In the presentation, "Skeuomorphism as Hermeneutic: From Obsidian Mirrors to Copper Escudos de Monjas", Cavallo argued that "Nuns' Shields" in early-modern Mexico could be understtod as a colonial skeumorphs derived from the Mesoamerican ritual wearing of oval obsidian discs to signal the presence of Aztec divinities. Escudos mimicked the stone artifacts in metal form and religious function in order to make the presence of the Christian divine - painted on escudos as the Virgin Mary of the Immaculate Conception - comprehensibely analogous to the way in which some pre-Columbian divinities had been traditionally experienced.
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April 11, 2018
Author: Jane DeRose Evans
Natalia Angeles Vieyra (MA Art History, PhD candidate Art History) will be giving an "Art at Lunch" lecture at PAFA on April 25, 2018, noon to 1. The title of the lecture is "Reproducing the Rotunda: Currency, Performance, and Protest in 19th-Century Print Culture"/ The event is free and open to the public.
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April 11, 2018
Author: Jane DeRose Evans
SITSA is funded by the Andrew W. Mellon Foundation. Its mission is to develop scholars' abilities to integrate technical knowledge into their research. This approach will be integral to Farrell's dissertation on Bronzino's art.
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April 11, 2018
Author: Jane DeRose Evans
Maeve Coudrelle will be working at the Getty Foundation on upcoming philanthropic initiatives; secondarily, she will be continuing her research on her dissertation, tentatively titled, "Geographies of Print: Regional Graphic Biennials in Latin America, 1963-2016".
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April 8, 2018
Author: Jane DeRose Evans
Kaelin Jewell (PhD candidate, Art History), presented on "Topographies of Aristocratic Power in the Late Antique Mediterranean". In the same panel were Tyler Art History alumnae Shannon Steiner and Rachael Vause.
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April 8, 2018
Author: Jane DeRose Evans
Eileen Owens was awarded a Fulbright Scholarship to pursue her research in Ireland. This is the third Fulbright award to a Tyler student in the last 18 months!
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April 6, 2018
Author: sfritch
Jarrah May- It seems like you've lived everywhere. Is that true?
I was born in Arlington, VA, but the entire timeline of moves is like this:
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April 6, 2018
Author: Jane DeRose Evans
Art History Assistant Professor Erin Pauwels has been awarded a grant by the National Endowment for the Humanities and named a 2018 NEH Summer Scholar. This July she will participate in the NEH-sponsored Summer Institute on the “Visual Culture of the American Civil War and Its Aftermath,” which is being hosted by the American Social History Project at The Graduate Center of the City University of New York. The program is designed to enhance university teaching as well as research and Pauwels will use the experience to develop a new Tyler Art History course on the visual culture of the American Civil War and its continuing significance to contemporary art and politics in the United States.
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