October 25, 2021
Author: Emily Herbein
Photo credit: Matthias Desme
Assistant Professor and Head of Sculpture C.T. Jasper and his longtime collaborator, Cornell University Professor of the Practice Joanna Malinowska, have partnered on a video and sculptural installation titled Who’s Afraid of Natasha? for the 2021 Bruges Triennial in Belgium.
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October 14, 2021
Author: Emily Herbein
Karyn Olivier, Associate Professor of Sculpture, was featured in the October 4th issue of The New Yorker in an article by Jill Lepore titled “When Black History Is Unearthed, Who Gets to Speak for the Dead?” for her recent commission from the Bethel Burying Ground Historic Site Memorial Committee.
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March 12, 2021
Author: Zachary Vickers
Karyn Olivier, associate professor of Sculpture at the Tyler School of Art and Architecture has won a commission by The City of Philadelphia’s Office of Arts, Culture and the Creative Economy (OACCE) and the Bethel Burying Ground Historic Site Memorial Committee for her memorial design entitled Her Luxuriant Soil.
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February 21, 2018
Author: Zachary Vickers
The Department of Exhibitions and Public Programs of the Tyler School of Art and Architecture is pleased to host solo thesis exhibitions for 32 of Tyler's MFA Candidates. The exhibitions will take place February 21 – April 21 with a new show opening each Wednesday. A free reception will be held every Friday, 6 – 8 p.m. Come enjoy refreshments and speak with the artists themselves!
Click names below for more information. February 21 – 24
Opening February 23, 6 – 8 p.m.Images left to rightGraduate Arts Community Group Show
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November 2, 2017
Author: tug67997
The Museum of Modern Art (MoMA) has acquired The Albino (aka All that Rises Must Converge/Black), 1972, its fourth acquisition of Barbara Chase-Riboud's work. Her solo show Barbara Chase-Riboud--Malcolm X: Complete is currently on view at Michael Rosenfeld Gallery, New York. Chase-Riboud received her Bachelor of Fine Art from Tyler in 1957.
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September 27, 2017
Author: tug67997
Philip Glahn’s recent writings include “Interrogating Invention: Electronic Café and the Politics of Technology,” Panorama (Summer/Fall 2016) and the forthcoming “The Future is Present: Electronic Café and the Politics of Technological Fantasy,” both co-authored with Cary Levine as part of a book project concerning 1980s art-activist telecommunication initiatives in Los Angeles. Glahn is co-initiator and -organizer of the ongoing interdisciplinary research colloquium “Toward a Technics of Aesthetics: Technology, Politics, and Contemporary Culture” at the University of North Carolina, Chapel Hill and was a visiting lecturer and critic at Towson University in Baltimore.
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